My research examines creative practices of performance, production and dissemination. In keeping with the ethnographic ideals of embodied experience and observant participation, I enjoy experimenting with different ways of working made possible by the intersections between academic research and art practice. These include exhibitions, residencies, podcasts, and more.
FieldWorks: Kaleidoscopic Activities Between Anthropology and Art (2020-2021), Faculty of Fine Arts, University of Lisbon, Portugal. (curated by Jen Clarke & Maxime Le Calvé)
OnLife (2020), Villa Romana, Firenze, Italy. (curated by Giacomo Zaganelli & Angelika Stepken)
Fun Palace (2020), OCT LOFT, Shenzhen, China. (curated by Bruce Bo Ding)
Non-verbal Communication (2019), Taipei Artist Village, Taipei, Taiwan.
Sensefield: An exhibition of experimental ethnography (2017), Bopiliao Historical Block, Taipei, Taiwan. (curated by G. de Seta)
VIOLENT OPAQUE (2017), Video Vortex XI — Video in Flux: Art, Activism & Archives, Kochi-Muziris Biennale 2016, Kochi, India. (curated by Wang R.).
“Flow/Flux” 2016 Design Harvests Artist Residency Program Exhibition (2017). College of Design and Innovation, Tongji University, Shanghai, China. (curated by Huang Y. & Feng K.).
Internet! A Retrospective (2016). SPUR, San Francisco, U.S.A. (curated by H. Tseng & T. Hwang).
Portable Domains (2015). Firstdraft, Woolloomooloo, Australia (curated by Astute Art Investments International).
Circle Jerks (2015). Minut Init Art Social, Petaling Jaya, Malaysia (curated by Wang R.).
Digitale Folklore (2015). HMKV, Dortmunder U – Zentrum für Kunst und Kreativität, Dortmund, Germany (curated by O. Lialina & D. Espenschied).
OCEAN – on-line exhibition of animated GIFs (2015). The 5th edition of Papay Gyro Nights Art Festival (PGNAF) and FixC cooperative. Hong Kong/Finland.
Cursed With Good Ideas: irregular long-distance podcast committed to post-academic banter
Reduced Reality: occasional selection of observations and reading notes in an intimate newsletter format
打酱油 dǎ jiàng yóu: ongoing archive of visual digital folklore collected on Chinese platforms
Unsound Ethnographies: attempts at pushing field recording beyond the field
Chinoise » 中噪: speculative music criticism tracking the Chinese experimental underground
Monstres par Excès: independent label releasing works by myself and fellow musicians from the fringes of experimental music