Curating sociality: Connective practices and selective visibility on WeChat. “Below the Radar: Private Groups, Locked Platforms and Ephemeral Contents” AoIR Flashpoint Symposium, Urbino, June 24.
Years of the internet: Vernacular creativity before, on and after the Chinese Web. “The Web That Was: Archives, Traces, Reflections” third biennial RESAW (Research Infrastructure for the Study of Archived Web Materials), Amsterdam, June 18-21.
Into the Red Stack: Chinese digital media between platform protectionism and infrastructural sovereignty. Unconference: Free/Libre Technologies, Arts and the Commons, Nicosia, May 30-June 1.
A ‘Chinese achievement’: Huawei, 5G securitization and infrastructural protectionism. International Studies Association (ISA) 2019 Annual Convention, Toronto, March 27-30.
Folklore digitale e culture di Internet [Digital folklore and Internet cultures], MACRO Asilo, Rome, January 31.
The politics of muhei: Ethnic humor and islamophobia on Chinese social media. “Global Perspectives on Extreme Speech Online” workshop, The House of Artists, Munich, December 10-11.
Sounding wet island: Experimental music in Taiwan. “Shifting undergrounds in East and Southeast Asia: Transformations and declinations of cultural self-expressions and communities in cityscape” conference, Asia Research Institute, Singapore, October 25-26.
Being outside, finding oneself. “Displacements” 2018 Biennial Meeting of the Society for Cultural Anthropology, virtual conference, April 19-21.
The infrastructuralization of Chinese digital platforms: A case study of WeChat. “The platformization of Chinese society” workshop, Baptist University, Hong Kong, April 12-13.
Wtf is sinofuturism? Independencia BioLab, Mexico City, March 19.
Spiritual pollution: The social circulation of digital folkore on Chinese online platforms. Asia Research Institute, Singapore, March 16.
Uncivil sociality: Practicing contention on Chinese social media. “Global digital media cultures and extreme speech” workshop, Ludwig-Maximilian University of Munich, February 22-24.
Everyday life in the Red Stack: Digital media use in China between platform protectionism and infrastructural sovereignty. “Digital media and borders: Infrastructures, mobilities, and practices across Asia and beyond” workshop, Lingnan University, Hong Kong, December 7-9.
Co-curating the internet: An ethnographic approach to visual content on digital media. “Anthropology Matters!” 116th AAA Annual Meeting, Washington, D.C., November 29 – December 3.
Postnaturalism, antinaturalism, unnaturalism: Pushing phonography beyond its field. Tuning Speculation V: Vibratory (Ex)changes, Array Space, Toronto, November 17-19.
Network bridging: Doing art and anthropology in the rural-urban interzone. Yulan Bookshop, Taipei, June 25.
Internet Nation 2020: Speculative performance and China’s digital media futures. OCAT Shanghai, May 13.
打醬油：在后數位中國的日常創造力媒體實踐. “Monday Lecture” series, Institute of Ethnology, Academia Sinica, Taipei, February 13.
The no-venue underground: Making experimental music scenes in Hong Kong. “Places and Spaces of Cultural Production in East Asia” Cultural Typhoon in Europe 2016, University of Vienna, September 22-25.
Old people’s emoticons and generational distinction: Chinese families on social media. EASA2016: Anthropological legacies and human futures, University of Milano-Bicocca, Milan, July 20-23.
† Anglic. (Scott.) Scotland † Dog Cat 1479 DOG+CAT Kitten+Puppy PASnake 1479: Vernacular history and schizophrenic writing on Nathan Road’s urban surfaces. “Undercurrents: Unearthing Hidden Social and Discursive Practices” Inter-Asia Cultural Studies Conference 2015, Airlangga University, Surabaya, August 7-9.
Communities of access? Crowdsourced translation groups on Chinese participatory platforms (with Yu Chuan). “Culture, Communication, and Hybridity in an Age of Globalization” 21st International Association for Intercultural Communication Studies (IAICS) Conference, The Hong Kong Polytechnic University, July 15-18.
Chinese Internet culture? Media practices & vernacular creativity. WUN Understanding Global Digital Cultures Conference 2015, The Chinese University of Hong Kong, April 25-26.
Dajiangyou: Vernacular media practices in postdigital China. The Hong Kong Anthropological Society, Hong Kong Museum of History, February 4.
After Internet culture: Chinese digital folklore as vernacular creativity. “Impacting the World: Emerging Voices of Asian Anthropology” 7th Annual CUHK Anthropology Postgraduate Student Forum, The Chinese University of Hong Kong, January 23-24.
What is zaoyin?: Noise epistemologies and the construction of a national underground music scene in contemporary China. “Sound, Noise and the Everyday: Soundscapes in China” CHIME Conference, Aarhus University, August 21-24.
The Great Firewall of China: From the discursive making of a national Internet to the wall-leaping practices of digital media users. 12th Chinese Internet Research Conference (CIRC), The Hong Kong Polytechnic University, June 18-21.
Memes as methods: A dialogue between ethnographic and data mining approaches to user-generated content on the Chinese Internet (with Clément Renaud). 12th Chinese Internet Research Conference (CIRC), The Hong Kong Polytechnic University, June 18-21.
City of borders: Reading Walter Benjamin’s Arcades Project in Hong Kong. BI-City Biennale of Urbanism\Architecture, Shenzhen, February 22.
Chinese Internet framed: Is China 2.0 the new frontier of techno-orientalism?. Inter-Asia Cultural Studies (IACS 2013), National University of Singapore, July 3-5.
CCTV for censorship, control, television and vendetta? How the state-run television shocked Chinese spectators (with Zhang Ge). IACS 2013 Graduate conference, National University of Singapore, July 1-2.
Chinese Internet research: An expanding research field?. International Conference of Asian Scholars (ICAS8), Macau, June 26.
Chinese trolls: An enquiry in critical internet culture. 2nd APSS Graduate students conference, The Hong Kong Polytechnic University, October 12.